On a Thursday night in Club B.Leza, singer and guitarist Elisa Guerra and bassist Francisco Couto stand with their backs turned to the crowd, facing drummer Miguel Gomes as their
With Torre completely demolished, its former residents have nowhere to return to if their new “rehoused” situations fall through.
Lara Curran interviews the Irish painter Vigne-Welsh and the Slovenian sculptor Mršek about their upcoming exhibit at Galeria Augustine in Santa Apolónia and learns how two different approaches gelled in Lisbon.
Alexandre Alagôa’s film When I Close My Eyes I See Everything sets out to strip away the contexts and references that muddle and complicate our experience of vision.
Until October, four themed walking tours will help people discover how Lisbon was built and experienced over different periods of the city’s history. David Felismino of the Museu de Lisboa shares his thoughts with Atlas.
Malone’s songs unfold and reveal themselves as cryptic confessionals of matters both personal and universal in equal measure. Expertly crafted songwriting finds life in Malone’s silken voice, a voice steeped in maturity and emotional depth, settling comfortably atop soft and subterranean instrumentation.
On stage, Madu seems to become 10 feet tall; a charming and infectious giant of energy and vocal virtuosity. Her passion for music and her joy for sharing experiences through performance seem inexhaustible.
The new hardback by Setanta Books of Henri Prestes’ photography is a visual and tactile treat — and we have a sneak peak of Teresa Freitas’ quixotic take on the still image.
“This project is sometimes offering me answers to personal questions and on occasions opens my mind. I’m seeing a much more complex territory than when I arrived,” Simes says about his work in Southern Alentejo and the Costa Vicentina area.
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