Underdogs Gallery R. Fernando Palha 56, 1950-132 Lisboa, Portugal, Lisboa, Lisboa
Tue-Sat, 14-20h, until Nov. 5 "Okuda continues to present his personal vision of society and the world we live in, exploring and highlighting some of its contradictions. Inspired by Mesopotamian, Roman, and Renaissance art, the artist speaks to us of the struggle between human beings and their beginnings through geometric structures, multicolored patterns, and organic […]
Underdogs Gallery R. Fernando Palha 56, 1950-132 Lisboa, Portugal, Lisboa, Lisboa
This solo exhibition is wonderfully confusing, deliciously complicated, naturally contradictory, somewhat ambiguous, and a whole lotta awesome. Don't miss Mário Belém's 3D wonderland of vintage advertisement-meets-urban-jungle installation work in his first solo show at one of the coolest galleries in town. From the organizers: We're all supposed to speak more or less the same language yet […]
Underdogs Gallery R. Fernando Palha 56, 1950-132 Lisboa, Portugal, Lisboa, Lisboa
Born in France and bred in NYC, WK Interact is not a household name yet; that's because the artist prefers his canvas to be outdoors. But that doesn't mean he can't line the walls of any given gallery with his magic. This month, Underdogs Gallery is proud to welcome him to the new world capitol […]
Underdogs Gallery R. Fernando Palha 56, 1950-132 Lisboa, Portugal, Lisboa, Lisboa
Do you know Mr. A? Maybe not by name, but you have almost definitely seen this friendly figure that adorns the walls of cities around the world. Mr. A is the creation of artist André Saraiva, and his unique style is coming indoors for his first solo show at Underdogs Gallery.
Underdogs Gallery R. Fernando Palha 56, 1950-132 Lisboa, Portugal, Lisboa, Lisboa
An accidentally found black-and-white photograph, with the words “my grandfather” scribbled on its back, is what inspired this free show at Underdogs Gallery. It's the brainchild of Pedrita Studio, a Portuguese art geek duo, and it's their second solo (sort of) show. A good find, we think.
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